Cardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount. An embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
Designed for studio use but rugged enough for live applications, the Shure KSM32 side-address condenser microphone with cardioid polar pattern features a permanently-biased 3/4-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording.

The Shure KSM32 microphone in charcoal.
Key FeaturesClass A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
Embossed, high-compliance diaphragm provides extended low-frequency response.
Ultra-thin, gold-layered, low-mass, Mylar diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.

Frequency response.

Polar pattern.
Integrated three-stage pop protection grille reduces "pop" and other breath noise
Internal shock mount reduces transmission of handling noise Performance Characteristics

Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference
Applications
Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.
Voice -- solo, background, voice-over, broadcasting
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
SpecificationsType: Permanently Biased Condenser
Frequency Response: 20­ to 20,000 Hz
Directional Polar Pattern: Cardioid/Omnidirectional
Output Impedance: 150 ohms (actual)
Attenuation Switch: 0 or -15 dB attenuation
Low Frequency Response Switch: Flat; ­6 db/octave below 115 Hz; -18 dB/octave below 80 Hz
Phantom Power: 48 Vdc +/- 4 Vdc (IEC­268­15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection: ≥50 dB, 20 Hz to 20 kHz
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): -36 dBV/Pa (16 mV)
Self­noise (typical, equivalent SPL; A-weighted, IEC 651): 13 dB
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Weight: 17.3 ounces

The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.
Features:
Class A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.
Embossed, high-compliance diaphragm provides extended low-frequency response.
Ultra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response
15 dB attenuation switch for handling extremely high sound pressure levels (SPL)
Switchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.
Integrated three-stage pop protection grille reduces "pop" and other breath noise
Internal shock mount reduces transmission of handling noise Performance Characteristics:Extended frequency response
Very low self-noise
Exceptional low-frequency reproduction
High output level
High input SPL capability
No cross-over distortion
Extremely uniform polar response
Superior common mode rejection and suppression of radio frequency interference Some typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed. Voice -- solo, background, voice-over, broadcasting
Acoustic instruments -- such as piano, guitar, drums, percussion, strings
Wind instruments -- brass and woodwind
Low frequency instruments -- such as double bass, electric bass, kick drum
Overhead miking -- drums or percussion
Ensembles -- choral or orchestral
Room ambiance pick-up -- guitar amplifier or drums
Both the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.